Tag Archives: future

Dune

I am officially caught up on Doctor Who now! (The reboot starting with 2005, at least. I try not to think about how much old DW I have to catch up on, not to mention Torchwood and the other spin-offs.) This means that I can actually read again! I did somehow find the time to read Dune though, which was made easier simply by the fact that it’s an amazing novel!

Dune is about the House Atreides struggling to survive on the desert planet Arrakis that the Emperor has assigned to them as a dukedom. It’s the harshest, most desolate place to live, but controlling this planet means controlling melange, the spice that not only allows for space travel, but gives life, energy, and a heightened consciousness. There’s treachery involved, and a witch-like order of women, and a prophesied messiah, and giant sandworms, and a lot of hope and despair. It’s a really wonderful read, and I promise it reads quickly.

I started watching the movie on Netflix and I think it’s fun! Horrible graphics, but then again it was 1984. I do love that Patrick Stewart is in it – so young! and Sting! And Trey from Sex & the City! On second thought it’s kind of a terrible movie, but amusing nonetheless. I don’t think it’d make much sense to someone who hasn’t read the book, and even then it’s a bit confusing. All the more reason to read the book!

The Road

Cormac McCarthy’s The Road has gotten a lot of press lately since Oprah recommended it and it was made into a movie – and with good reason.  It is one of the best books I’ve read in a while; it’s horrifying, yes, but amazing nonetheless.  There are several scenes that are so absolutely wretched that I won’t likely forget them for a very long time.

The book is about a man and a boy who are on a journey towards the ocean after an unnamed (probably natural) disaster that killed off almost all of humanity and plant-/animal-life.  For some reason they believe that they’ll be saved once they get to the ocean, and the whole time you’re thinking that there probably won’t be anything there, and they probably know it too, but it’s the hope that drives them so you keep telling yourself that it’ll be perfectly all right in the end.  It’s an absolutely desolate, nerve-wracking journey that leaves you feeling as desperate as the man and boy.

The Year of the Flood

So I was VERY excited to hear that Margaret Atwood was coming out with a new novel.  She is one of my favourite contemporary novelists and I’ve loved almost everything I’ve ever read by her.  In fact, I’m pretty sure I’ve read more of her works than anyone else’s (except maybe Shakespeare).

Anyway, as I said in my last post (over a month ago, yikes!) The Year of the Flood overlaps somewhat with Oryx & Crake. It’s the same scenario but goes back a bit to reveal some of the characters that are marginally important in Oryx & Crake.  I especially liked Brenda’s role, which is expanded beyond the briefest of mentions in O&K.

And like O&K, I think The Year of the Flood is brilliant. Atwood simply is a master of language and she can really weave a tale.  I think I actually liked Oryx & Crake better, but I liked learning about God’s Gardeners in depth and seeing what they were like.  And of course I liked how everything ties in to some of the plot line of O&K.

Really masterful.

Oryx and Crake

To be perfectly honest, I love Margaret Atwood but had no intentions of reading Oryx and Crake until I found out her new book is somewhat related to it. I thought, “What a strange name for a book. I shan’t read it!” (Except I probably don’t use the word shan’t in my subconscious. Or outer conscious.) But I’m glad I did. The Handmaid’s Tale had always been one of my favourite books of all time, and this was even more grand. There’s something about a good post-apocalyptic science fiction that just gets me.

Oryx and Crake is about a man, Snowman, who lives as a hermit after the initially unexplained destruction of civilization. He lives among (and yet quite separate from) genetically altered docile, human-like creatures, as well as vicious gene-spliced animals which run rampant through the remains of the city. Through a series of flashbacks we begin to learn more about what exactly happened, and about Snowman’s own involvement in the destruction of mankind.

Bottom line: it’s absolutely fabulous. Atwood is so gifted and sometimes really freakin’ scary. She really explores what we’re capable of doing and pushes the boundaries to the extremes – and yet it’s even scarier because her scenarios are never quite too extreme to be impossible. That’s the thing – she calls it speculative fiction because we’re already technically capable of doing a lot of what she depicts, or at least on the direction of it. She just imagines what would happen if we did follow this exact trajectory, and if we allowed ourselves to continue on this path of unhindered consumerism and technological advancements. Basically, Snowman’s world is really our world if we don’t continually ask ourselves if what we’re doing is ethical.

Definitely read this book! I just started The Year of the Flood, which takes place in the same time frame as Oryx and Crake.

Infinite Jest

I am INFINITELY excited to be reading Infinite Jest by David Foster Wallace! I obtained a copy from my good friend Matt Ford – go click on his website and tell him to blog more! So it’s hard to explain what Infinite Jest is about, especially since I’ve only read a chapter so far, so I’m going to cheat a little and just link you to the Wikipedia page and let the good folks there tell you all about it.

There’s a sort of informal online reading community for people reading it this summer – it’s quite cleverly called Infinite Summer – and I’ve been reading that voraciously as well! I’m obviously way behind because summer started well over a month ago, but hey, I’m going on vacation tomorrow until next week and it’ll be raining in lovely Ocean City, Maryland. I’ll try to update on my progress – I need to catch up to wherever everyone else is right now 1!

Matthew Baldwin recently posted this on the Infinite Summer blog:

Wallace is like the Lloyd Dobler of authors: he doesn’t woo you with flowers and chocolates, he stands outside your window with a boombox over his head until you relent.

If you love Lloyd Dobler as much as I do, that quote alone would make you want to read this!

1 I love the cute little “suggested” milestones on the Infinite Summer site… it reminds me more or less of reading chapter by chapter when I was in grade school. But back in those days, I usually just read the whole book in one night and was often not allowed to answer certain questions because I already knew how it’d end. Oops.

Stranger in a Strange Land

I actually finished Stranger in a Strange Land by Robert Heinlein quite quickly – in about three late night reading sessions. Having read it, I strongly urge you to read the complete version – it was originally published with several thousand words cut out as per the publisher’s request – because I really think that it is truly complete the way it is.

Stranger is about this man Michael Valentine Smith who was born and raised in Mars, away from all human contact. When he is brought to Earth, he must cope with this strange planet with not only a different gravity and language, but strange ideas such as jealousy and love.

I understand a bit why hippies seem to love his work (being a teensy bit of a hippie myself) but I have never been able to come to grips with the idea of free love. It’s the one thing that I am most unable to fathom of all the socially liberal tendencies out there. I did, however, truly enjoy the discussion of total emotional and spiritual connections – the idea of “grokking”.

Read this book – there’s a reason why it’s famous!

Ender’s Game

Ender’s Game by Orson Scott Card is the titular first of the series. It’s about six-year-old Ender who is recruited to go to Battle School, where only the most intelligent children are sent to learn to fight the buggers. Ender turns out to be amazingly well-equipped to not only succeed, but to exceed expectations at Battle School, and he quickly becomes the top soldier, set to become commander quite soon.

While I’ve always read a lot of praise about this series, I’ve also seen just as many people decry the novel for its violence. I think it’s important, though, to think about our capacity for violence, and more importantly, why we engage in violence and whether we’re actually aware that we’re committing acts of violence. I think Card did well to bring these issues up.

I’ll read the rest of the series once I can actually find them! But for now I’m moving on to other books.